Ariana Grande’s concert media policy turns copyright law upside-down, allowing her to simultaneously be both the subject of photographs and the copyright holder. 3L Robert Poston explores what this means for photojournalism and provides alternative ways for Grande to control her image.
Tag: Copyright
Polar Opposites, Parody Labels, & the Fair Use Exception: Revisiting a Past Note
Shaudie Fassih · Editorial on Robyn M. Flegal’s Student Note Originally published in Volume 21, Issue 1 of the Journal of Intellectual Property Law, University of Georgia Law graduate Robyn [ … ]